Tag Archives: Right Hand Blocking

Right Hand Technique: Using the Ring Finger as an Anchor

Having a comfortable, confident right hand picking technique can go a long ways for a pedal steel player. Right hand picking and string blocking are perhaps the most elusive techniques to new and seasoned players alike. However, by using the ring finger as an anchor, a player can overcome many picking obstacles and become triumphant in the choppy seas of right hand technique.

Most players use a thumb pick, and fingerpicks for the index and middle fingers, leaving the ring and pinky fingers free to roam. Many players extend their pinky out when picking, while others tuck it under their ring finger…there is no right or wrong way; whatever is comfortable and works best for the player. This leaves the ring finger: and using this finger as a positional anchor can tie everything together for the right hand.

Check out the photo gallery at the bottom of the page to see photos of the ring finger anchor in action.

Pedal Steel Pick Art - Smiley Face

What is meant by positional anchor, when referring to the ring finger? This means resting it in between two strings, or on top of a string, so that the picking fingers below are in the correct position to pick their intended strings in a comfortable manner.

Accurately switching between string grips, and picking the intended notes can be challenging. However, if we train our ring finger to land on top of the strings we want it to, while keeping the thumb, index, and middle fingers in a consistent position relative to the ring finger, we can confidently attack the strings with accuracy.

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Here the ring finger rests on string 3, while the thumb and middle fingers pick strings 5 & 4.

For example, if we are going to play strings 6 & 5 with our index and middle fingers, then resting the ring finger on string 4 (and it may touch string 3 too – it can comfortably rest between strings 3 & 4) can provide a foundation for the picking fingers. These fingers should now be in the proper position and angle, huddled over the strings ready to pick, dampen, or release from the strings. Basically, they will be in a position to attack the strings, mute them (pick blocking), or release from them after they’ve been picked or muted.

If a player wants to do the same thing, but on a different string grouping, then it is just a matter of shifting the foundation forward or backward to different string numbers. For instance, if a player wants to pick strings 6, 5, & 4 on the E9 neck (a classic grip indeed), then they can rest their ring finger on the 3rd string. Again, resting it on this 3rd string implies that it may touch the 2nd string too, or can be thought of as resting in between the 3rd and 2nd strings.

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Using the ring finger as an anchor can really allow the thumb, index, and middle fingers to relax when picking. In this picture, the thumb and middle finger are picking adjacent strings, while still allowing the index finger to relax comfortably as well. Notice how similar the index and middle fingers are in stature.

A major benefit of the ring finger anchor is that it will mute whatever string(s) it rests upon, providing aid to the blocking process. If the pinky finger is extended as well, then most of the higher strings will be blocked. For blocking, this leaves the player free to focus on properly muting the lower strings that aren’t being picked: often by using the palm, or the side of the hand.

Buddy Emmons was an advocate of using the ring finger to mute string(s): knowing that it could rest on the string, and mute the string at the same time.

If a player can train the ring finger to land in the correct spot each time, and train the other fingers to remain in the same comfortable position/shape relative to the ring finger, then they have a reliable system for placing the fingers in any position they want to pick and block the strings. There is more consistency, and less trial-and-error for moving between picking positions and string groupings.

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There can be many advantages to using the ring finger as an anchor:

-It allows the overall hand to relax more, which can make it easier to pick comfortably, faster, and more accurately.

-It helps mute more strings for blocking.

-It allows the thumb, index, and middle fingers to position more consistently with each other…they will be more “tight-knit” as a group and will move and work better together. Better yet, they won’t roam as much from each other, and will be more accurate and consistent in picking their intended strings.

-It can help with speed picking, chord grips, and many other picking options.

-It can save time and energy when practicing right hand technique, and allow a player more time to focus on other aspects of playing like bar control, scale routines, or learning tunes.

So as a player embarks on the seas of pedal steel discovery, they should keep in mind that a strong anchor is always nice to have: to keep from drifting into the rough seas of abysmal right hand technique.

Photo Gallery of the Ring Finger Anchor (click to enlarge):


For more on right hand technique visit the following page:

Right Hand Blocking

Thumb Strum – Chordal Picking Technique

This is one of my favorite picking techniques, and is wondrous on the C6 neck. Its main function is to use the thumb to quickly strum multiple notes and provide a thicker chordal sound. When done correctly, the group of notes should sound similar to a guitar player strumming a chord with their pick.

This technique is best utilized with a note played on top with the middle finger, or the middle and index fingers. The combination of the thumb and other fingers allows a large chord voicing that can really expand a player’s chord arsenal.

The thumb will begin on the lowest string, and then will pick the group of notes simultaneously by strumming forward. At the same time this done, the other finger(s) will pluck its appropriate note.

Here is a diagram that displays a few chord voicings on the C6 neck with this technique:

ThumbStrumChordPickingTechnique
CLICK ON DIAGRAM FOR LARGER/PRINTABLE VIEW

Further enjoy the benefits of this picking style by letting the thumb’s notes sustain, and using the middle finger and knee levers to add melodic texture for higher notes above this, in the same position. This concept can be a gateway into the world of chord-melodies on the pedal steel!


For more on picking and blocking, visit these pages…

How to Practice Right Hand Blocking on Pedal Steel Guitar

What is Right Hand Blocking on Pedal Steel Guitar?

Picking (or Right Hand Blocking) for Six-String Guitar Players

Beginner Ideas and Tips for Right Hand Blocking

Things to consider for beginner players:

-Relax your right hand.  If it tenses up and you notice it tense, then breath deep and try to relax it.  Eventually you want it so relaxed, you don’t even notice it is there picking.  This means you are free to think about other things, and is a big step forward.  Your right hand can feel as relaxed as a guitar player’s does playing regular guitar…they aren’t that different really, pedal steel is horizontal and guitar is vertical.

Beginner Ideas for Right Hand Blocking - Nice Hard Shell Pedal Steel Case

-Practice blocking with single notes, two note groupings, and various chord grips.  You should be able to cleanly block when doing any of these things.

Fingerpicks for Pedal Steel in Smiley Face Arrangement

– Does your bar make any unwanted noise moving between frets or positions?  Where is that sound coming from, and how can you stop it?

-Do you ever start your practice session with single string picking exercises (using a metronome)?  How about adding crossover techniques shortly after that?  Now your right hand is more accurately calibrated, so you can focus on bar precision, or pedal work for the rest of the practice session.

Lava Pedal Steel Learning Lamp